Blues in G — arpeggios
The G7, C7, D7 progression played as arpeggios: each chord is picked note by note instead of strummed, to build picking-hand precision.
Tips
Slow down until every note rings clearly before increasing the tempo.
Understanding this type of exercise
The blues, one chord at a time
The same E7-A7-B7 grid played in arpeggios: each chord is spread out note by note rather than strummed as a block. A picking-hand accuracy exercise.
Practical tips and common mistakes
- Let it ring: place the whole chord at once and keep the fingers down while you pick through the strings.
- An arpeggio going up then back down doesn't play its highest note (or its lowest) twice in a row.
- Change chord only on the last note of the current arpeggio, not before.
Chord progression — G
Bar 1
G7
I
Bar 2
G7
I
Bar 3
G7
I
Bar 4
G7
I
Bar 5
C7
IV
Bar 6
C7
IV
Bar 7
G7
I
Bar 8
G7
I
Bar 9
D7
V
Bar 10
C7
IV
Bar 11
G7
I
Bar 12
D7
V
Chords
The same exercise in other keys
Related sheets
- String-skip zigzag riff — A minor (Level 4)
- Blues in A (12 bars) — syncopated rhythm (Level 4)
- Full round trip riff — D# minor (Level 4)