A# minor pentatonic scale — position 1
Position 1 of the A# minor pentatonic scale, played at fret 6, using the exact same fingering shape as every other key in this same form (E, A, G, D...), just shifted along the neck.
Tips
Compare this shape with a key you already know in this same form: it's the same finger pattern, only the starting fret changes.
Understanding this type of exercise
Why start with this position
Position 1 of the minor pentatonic is the most used shape in blues and rock because it's the easiest to locate: two notes per string, one fingering to memorise, and the root sits on the low string. It's the entry point to improvising, not an end in itself — see position 1 vs CAGED positions for what comes next.
How to work the ascent
- Alternate picking from the start, not just downstrokes: the habit is built now, not in six months.
- One finger per fret, each finger staying close to its fret even when it isn't playing.
- Find and name the root out loud every time you play it: it's what "resolves" a phrase.
- Don't loop up and down mechanically — as soon as it's fluent, move to 3-4 note fragments (see the riff sheets).
The fingering is identical in all 12 keys: only the starting fret changes, the shape slides along the neck unchanged.
Fretboard position
root note other scale note
The same exercise in other keys
- E minor pentatonic scale — position 1
- A minor pentatonic scale — position 1
- C minor pentatonic scale — position 1
- G minor pentatonic scale — position 1
- D minor pentatonic scale — position 1
- B minor pentatonic scale — position 1
- F minor pentatonic scale — position 1
- F# minor pentatonic scale — position 1
- C# minor pentatonic scale — position 1
- G# minor pentatonic scale — position 1
- D# minor pentatonic scale — position 1
Related sheets
- Pop improvisation in D (Level 3)
- Barre — F sharp minor within an A major progression (Level 3)
- Pop in C (with barre) — arpeggios (Level 3)